The Western Spring
News that CAIR has demanded an apology from Donald Trump for evicting a Muslim protester at his rally and reports that left-wing protesters and police have turned out in force to bottle up “far-right” demonstrators in Germany bookend a single story. It’s on — the long-awaited fight against PC orthodoxy is finally on. Trump is unlikely to apologize, and CAIR is even more unlikely to back down. With 3 million Middle Eastern and African refugees due to arrive in Europe this year, the clashes between German protesters are only likely to intensify.
The commotion you hear is not going to stop, it will only get worse. The Western Spring is finally here, and before it’s done it threatens to change everything.
The tension between the forces of political correctness and the pent-up forces of repressed cultural traditions is now bursting like a spring wound up beyond containment. Things may start slowly at first but ramp up rapidly, mirroring Cornelius Ryan’s famous description of the Berlin Philharmonic’s last performance as the Red Army stood at the gates of Berlin.
The drum beat was almost imperceptible. Softly the tubas answered. The muffled drum roll came again. Low and ominously the tubas replied. Then the massed basses came alive and the awesome grandeur of Die Götterdämmerung rolled out from the Berlin Philharmonic … it told of the evildoing of the gods, of Siegfried on his funeral bed of fire … with cymbals crashing and drums rolling, the orchestra thundered to its climax: the terrible holocaust that destroyed Valhalla
Actually the last performance of the doomed orchestra “was of Brünnhilde’s Immolation Scene at the end of the opera.” Ryan’s word painting may get the history wrong but nevertheless gets the analogy right. It’s the twilight of the gods. In 1945 the musicians wore escape clothes under their overcoats because it had been arranged for them to escape toward the American lines as soon as the performance ended. (Read more from “The Western Spring” HERE)
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