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Why You Should Read ‘Out-Of-Date’ History Books

Over the long Independence Day weekend, the Washington Free Beacon published an essay by Waller Newell calling for renewed attention for what he calls the Next Best Books. These are works of history or literature that, while you wouldn’t file them away in the canon with books by Plato or Shakespeare or Hegel, nevertheless ought to have some claim on our lasting attention. Books by authors like Solzhenitsyn or Tuchman or Ortega y Gasset can help readers, especially younger readers, develop their political and psychological instincts, educating them about human nature, about greatness and great evil, and about what is required for a free society to endure.

Concluding that the universities have fallen down on this job, among so many others, Newell provided a provocative list of 15 history books “to get the ball rolling.” The earliest among them, Gibbon’s Decline and Fall, was published beginning in 1776; the most recent, Bernard Lewis’s Crisis of Islam, appeared in 2003. Most of the volumes are products of the mid-twentieth century, with books by Churchill, Robert Conquest, and Karl Polyani among them.

Given that these are histories rather than, say, novels, an obvious objection arises: aren’t most of these books a little, well, out of date? If we really want young people to understand why the Roman Empire fell apart, is a book written during the decade America fought for its independence really the best place to look? If Rome’s transition from self-governing republic to monarchic empire seems important for students to understand, what utility could be found in Ronald Syme’s The Roman Revolution, originally published in in 1939?

The same objection could be applied to most of the books on this list, or any similar list. In the years since these volumes have been published, hasn’t there been important new research that later authors have usefully synthesized? And even if the books have certain superficial charms that haven’t been improved upon—the rich skill of Barbara Tuchman’s prose, for example—a now half-century-old account of the start of World War One by definition cannot include the latest developments in the scholarship pertaining to that period of history, right? Not to mention the latest developments in our understanding of history or politics or human nature in a broader way! So, superficial appeal or antiquarian affectations aside … why bother?

Here’s why. The strongest point that can be made in favor of systematically preferring more recent histories to their predecessors is that later writers have access to more and better data. That later writers know more facts is generally true—though not universally, and certainly not before the era of modern western scholarship. (An interesting feature of medieval Arabic histories of the origins of Islam is that the later histories indeed tend to be longer than the earlier ones—chock full of inventions and fabrications that were passed off as discoveries.) But the flaw in this argument is the assumption that the main reason to read history is to determine the facts of the period in question to the greatest degree possible—to learn what really happened, or what von Ranke called wie es eigentlich gewesen (which sounds much more impressive). (Read more from “Why You Should Read ‘Out-Of-Date’ History Books” HERE)

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UPDATE: Scholars Continue to Attack New History Standards for ‘Pervasive Anti-Patriotism, Focus on America’s Shortcomings’ [+video]

College professors from across the country are taking a stand against what they call bias in history standards of a new Advanced Placement exam. . .

Part of their letter [to the College Board] reads:

The new framework is organized around such abstractions as “identity,” “peopling,” “work, exchange, and technology,” and “human geography” while downplaying essential subjects, such as the sources, meaning, and development of America’s ideals and political institutions, notably the Constitution. Elections, wars, diplomacy, inventions, discoveries—all these formerly central subjects tend to dissolve into the vagaries of identity-group conflict.

Susan Hanssen, University of Dallas history professor, said on “Fox and Friends” that “there’s kind of a pervasive anti-patriotism that’s being taught in schools”. . .

“There’s no discussion of limited government, checks and balances, the idea of natural rights, the idea of the laws of nature and nature’s God. There’s a real gap in the teaching of American history,” she said. (Read more from “Scholars Reject New History Standards for ‘Pervasive Anti-Patriotism, Focus on America’s Shortcomings'” HERE)

Follow Joe Miller on Twitter HERE and Facebook HERE.

Courage Is No Longer Just a Word (+video)

Photo Credit: YouTube

On Sunday, June 26, 2011, the world premiere of the first episode of the new Colony Bay Entertainment series: “Courage, New Hampshire” took place in Monrovia, CA.

The Inspiration channel, which ranks among the fastest growing basic cable networks in America with a broadcast reach of up to 73 million viewers, recently announced it will broadcast “Courage, New Hampshire” nationally on Memorial Day 2013.

“We are very excited to make this announcement,” said INSP Senior VP of programming, Doug Butts. “Original scripted dramas are going to play a significant role in INSP’s future programming strategy. Courage, New Hampshire is an outstanding addition to our already strong programming line-up.”

“With the overwhelming success of period shows like Downton Abbey, Pride and Prejudice, North & South, etc., audiences will find Courage, New Hampshire equally compelling,” Butts said. “Courage, New Hampshire fits perfectly with the INSP brand.”

Visionary, screenplay writer, director, actor and co-producer James Patrick Riley noted, “I am looking forward to seeing INSP deliver a large audience. I am hoping that we will eventually go into regular production, with many more seasons to come. Likewise, it would be great to establish ourselves in mainstream media, because we have done something really special here. To have created an American 18th century serial episodic period drama is something really phenomenal. Not even any of the major networks have attempted that.”

When asked about the future of Courage, Colony Bay Entertainment executive and Courage co-producer Jonathan Wilson replied, “Currently, we are in the pre-planning stages for a season two, so stay tuned. We can’t say a whole lot about the number of episodes, but we’re pretty sure about one thing…There will be more romance.”
In episode one-“The Travail of Sarah Pine”- The viewer visits the frontier township of Courage, located in western New Hampshire. When British soldiers arrive in search of deserters their quarry escapes, but one of them catches the eye of Justice of the Peace Silas Rhodes and a dramatic, gripping trail ensues.

Dramatic, believable acting by an outstanding cast of talented actors (featuring Alexandra Oliver as Sarah Pine, Nathan Kershaw as British deserter Bob Wheedle, James Patrick Riley as tavern keeper and Justice of the Peace Silas Rhodes and Basil Hoffman as royal solicitor Simeon Trapp) propel the show.

In episode two-“The Sons of Liberty”- Justice Rhodes travels to Portsmouth for the execution of two notorious criminals. Royal Governor Wentworth details how ruling New England will require a “light hand”, and the Township of Courage greets the arrival of a new pastor.

Performances by Donal Thomas-Cappello as the deceptively sinister Reverend Silence Laud, Isabelle Gardo as the desirable Abby Lamb, Greg Martin as the burglar and Joe Massingill as the counterfeiter make this episode delightful and compelling. Mike Gallagher appears as a jovial barkeep and Andrew Breitbart plays the part of the High Sherriff.

In episode three-“A Snake in the Garden”- Governor Wentworth begins enforcement of the unwelcomed, unpopular white pine act. The “Reverend” Silence Laud makes romantic advances on the lovely Miss Lamb, and the sons of liberty are the only one who stands between royal imprisonment and a farmer’s freedom.

Donal Thomas-Cappello reprises his role as Reverend Laud, and Isabelle Gardo returns as Abby Lamb. Jonathan Salisbury as Noah Pine, Allen Marsh as Abraham Fox and Patrick Finerty as William Bramley further drive the drama of this episode.
In episode four-“Ambition”- Reverend Laud becomes ensnared in his own deceit while Governor Wentworth takes steps towards enforcement of royal justice upon Courage. While at a training day in Portsmouth the neighboring towns’ gathered militias are pushed by Courage townsmen to ponder the question: “are you with us?”

The circle of drama continues as the Sons of Liberty stand against corrupt British rule.

The production quality is top notch, featuring crisp photography and well-paced editing that tells the story while avoiding the pitfalls of encryption or dragging scenes. The beautiful music is consistently appropriate. The compelling screenplay employs clever, time appropriate dialogue which evokes a wide range of emotions while conveying time tested morals.

Watch the ISPN trailer here:

James Patrick Riley and Jonathan Wilson, co-founders of Colony Bay and the driving force behind the success of Courage are to be congratulated for their fine production. It is highly recommended and can be enjoyed by children of all ages.

To obtain a DVD copy of Courage, go here:

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Michael Fell is a former MCA recording artist from the seminal punk rock era who toured America from coast to coast. Today, he’s a leading voice in the L.A. Tea Party movement, active since the February 2009 inception. Mr. Fell currently chairs the Westwood Tea Party, is a founding member of the L.A. Metro Tea Party Coalition, serves as the Vice Chairman of the Westside Republicans Club in L.A. CA, and is an elected Republican delegate to the L.A. 47th AD Central Committee. He’s been Campaign Manager for a primary winning Congressional candidate, as well as Santa Monica and L.A. City Council candidates. Mr. Fell is a contributing writer for https://conservativedailynews.com/, https://rightwingnews.com/, https://www.hollywoodrepublican.net/, https://beforeitsnews.com, https://www.redcounty.com/, https://www.uspatriotpac.com and, https://westsiderepublicans.com/. His opinions on today’s news events and political climate can be found on his blog: https://mjfellright.wordpress.com/

History Channel: Resemblance Of Obama, Satanic Character Not Intentional

Photo Credit: History Channel

The History Channel on Monday denied that the resemblance between President Obama and an actor playing Satan in the channel’s miniseries “The Bible” was intentional.

The statement from the cable network came after a storm of commentary on Twitter and other social media on how the hooded Satan looked like the president.

“HISTORY channel has the highest respect for President Obama,” the network said in a press release. “The series was produced with an international and diverse cast of respected actors. It’s unfortunate that anyone made this false connection. HISTORY’s ‘The Bible’ is meant to enlighten people on its rich stories and deep history.”

Executive producers Mark Burnett and Roma Downey blasted the controversy as “utter nonsense” in the same release, which noted that actor Mehdi Ouzaani had played Satan before Obama was elected.

“The actor who played Satan, Mehdi Ouzaani, is a highly acclaimed Moroccan actor. He has previously played parts in several Biblical epics — including Satanic characters long before Barack Obama was elected as our president,” the pair said.

Read more from this story HERE.

Mark Burnett Says ‘Weird Things Happened’ On ‘The Bible’ Set

Photo Credit: Lightworkers Media/Hearst Productions

Last Sunday, the first installment of History’s five-part miniseries The Bible beat everything on television with a massive 13.1 million viewers, making it cable’s most-watched entertainment telecast this year.

For producer Mark Burnett, who worked on the ten-hour special with wife Roma Downey, the success of The Bible isn’t all that surprising. “It will be, over the next 40 or 50 years, the most watched thing that Roma and I have ever made,” he told EW, quite confidently, back in January.

At the time, Burnett gushed about shooting the series. “I really believe what I’m going to tell you right now,” he said. “The hand of God was on this…. the edit came together perfectly, the actors came together perfectly, it just comes to life.” But Burnett wasn’t just speaking about how well the practicalities of production had gone. “Weird things happened during filming,” he said. “Everybody would look at each other like, “Whoa.”

Here are a few of the “weird things” he was talking about:

A mighty desert wind

“There’s a scene with Jesus and Nicodemus, when Nicodemus comes to Jesus in the night. It’s a very still night, not a breath of wind, and we’re on the edge of the Sahara desert in a palm grove in an oasis… Jesus says, ‘The Holy Spirit is like the wind.’ At that moment, a wind, like as if a 747 was taking off, blew his hair, almost blew the set over and sustained for 20 seconds across the desert, and the actors didn’t break — they kept going. And everything stopped. Everyone just looked at everyone like, ‘What just happened?’”

Read more from this story HERE.

Blacks Who Back Gun Control Need to Study History of Slavery and Jim Crow

At a Friday event billed as a Black History Month press conference, Star Parker said African Americans in Congress who support gun control efforts by President Barack Obama and his administration should consider the history of blacks in this country and people around the globe who were oppressed, including being banned from owning firearms.

CNSNews.com asked Parker, who is the founder and president of the Center for Urban Renewal and Education (CURE): “There are a lot of African Americans and people of color in Congress who are backing Obama’s plan for gun control. What would you say to them because today [at this event] it was revealed that there is a direct effect on the African American community with this gun control?”

Parker said: “Well, I’d say they need to revisit their history – black history, black slave history, black Jim Crow history — and they should visit the histories of other tyrant nations where we had people like Hitler and Stalin and Mao. Every single time there is someone who wants to take away all other rights of the people, the first right they take away is your right to bear arms.”

“I believe that the the Congressional Black community, or the Congressional Black Caucus is absolutely out of step with black America today on this issue,” Parker said.

Watch video here:

Read more from this story HERE.

The Final ‘Coming Out’ of the Communist Left in America

In the book, “1984,” George Orwell wrote that “the most effective way to destroy people is to deny and obliterate their own understanding of their history.” Even more compelling, Orwell said of the future: “Those who control the present, control the past and those who control the past control the future.”

It is hard to dispute that the progressive left has a stranglehold on pop culture in America. Firmly entrenched in media, academia and the entertainment industry, and more emboldened than ever, it controls the present.

Our history has long been under assault, particularly in universities, but never as aggressively as we see in a 10-part Showtime documentary produced by Oliver Stone, “Untold History of the United States.”

Commenting on Stone’s latest work in a FrontPage column, David Horowitz calls it “a ludicrous encapsulation of the Kremlin’s view of the Cold War, amplified by the Castro, Ho Chi Minh, Daniel Ortega, Hugo Chavez, Hamas version of the post-Communist decades.”

And he is qualified to make such a judgment. A self-proclaimed “red-diaper baby,” Horowitz was one of the founders of the “New Left” in the 1960s and an editor of its largest magazine, Ramparts. In his memoir, “Radical Son,” Horowitz traces his odyssey from an angry far-left activist to conservative writer and policy advocate. He is now president of the David Horowitz Freedom Center and editor of FrontPage Magazine.

Read more from this story HERE.

Manning the Barricades for Virtue and America

This Fourth of July we are reflecting on the Founding Father’s intensive study of the Roman civilization. Knowing history, they embraced Rome’s virtues and eschewed her vices. The Founders understood the currents of history which gave us a collective heritage unrivaled. Sadly, we as a nation are turning our backs on the morality that made America special. The country has convulsed in the past 30 years as a new modern morality has supplanted the currents of culture built nearly two thousand years ago along the shores of Galilee. This new culture is not yet fully defined, but we stand horrified as we peer into the future. The culture of the Roman world was brutal and nasty. Ironically, we see its worst practices reviving with vigor. Please give us a moment as we recount a history seldom taught today’s students. The Roman Empire had a twisted view about the value of human life. These views were banished by the ascendency of Christ’s teaching. Infanticide was both legal and encouraged in ancient Rome. Pagan societies, such as the Carthaginians, Romans and Greeks went so far as to kill their children outside the womb, sometimes as a religious sacrifice to their gods. According to Plutarch, the Carthaginians “offered up their own children, and those who had no children would buy little ones from poor people and cut their throats as if they were so many lambs of young birds; meanwhile the mothers stood by without a tear or moan.” We see a modern American society which looks at children as a burden, and a generation of mothers who have decided by their own “choice” to sacrifice a generation. Population control is now an international objective.

Read More at Floyd Reports by Floyd and Mary Beth Brown, Floyd Reports