Photo Credit: Breitbart The liberal media have their knives out for Sen. Ted Cruz (R-TX) after his textbook cross-examination of Secretary of Defense nominee Chuck Hagel at the latter’s confirmation hearing Jan. 31. Jane Mayer of the New Yorker seized on a speech Cruz gave three years ago in which he asserted that when he was at Harvard Law School, shortly after Barack Obama, there were twelve Marxists on the faculty and one Republican.

That, Mayer alleges, is evidence of Cruz’s innate McCarthyism–and hence, she implies, ought to discredit Cruz’s inquiries into Hagel’s beliefs and financial backing. That’s rich coming from the New Yorker’s resident Koch-obsessive, who launched a McCarthyist assault on the Tea Party in 2010, asserting it was mere Astroturf for the “billionaire Koch brothers’ war against Obama,” and demanding more scrutiny of the Kochs’ ties to it.

Her current campaign against Cruz is a pure political vendetta–a fact she does not even try to deny. In her latest offering, she defends her sudden interest in the 2010 speech as follows: “…Cruz’s hostile questioning of Obama’s nominee for Defense Secretary, Chuck Hagel, and insinuations about Hagel’s loyalties had provided a fresh context for looking more closely at the nature of the accusations he has leveled at political opponents.”

In terms of accusations against one’s opponents, it’s hard to top Mayer’s suggestion that millions of conservative Americans are paid stooges–or Obama’s numerous attacks on opponents using false accusations and innuendo. Remember the doctors who cut out kids’ tonsils for no reason except greed? The Republican presidential nominee who just might be a felon, and may have killed a man’s wife? Few complaints from Mayer there.

In fact, Mayer gave positive coverage to the anti-Bain Capital ads that ran against Romney in Ohio. In a post-election article on Nov. 19, 2012, “Seeing Spots,” Mayer noted that the ad about a worker’s dead wife was inaccurate. She nonetheless celebrated the company that made it for another ad in the series, “Stage,” which helped “to float the image of Romney as a coldhearted fat cat” and gave Obama a decisive advantage in the polls.

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